Though Barrell's interpretation of Reynolds's shifts in political alleigence during the course of the Discourses is sometimnes strained, there is no doubt that his central thesis concerning the 'body of the public' in 18th century art theory is profoundly important and illuminating. Barrell's discussion of aesthetic and poltical theories is always brilliant, provocative and intellectually stimulating. Alas, when he abandons the 'civic' discourse of the eighteenth century to address the world of Blake and Hazlitt he gets into a bit of a mess. His comments on Blake are eccentric to say the least. Neverthless, he does force us to radically rethink our attitudes to all the figures discussed here. This book is indispensable.

"Presentation ..." is an excellent summary of the biomechanics of recognition as applied to scientific presentations. Many of the methods described in the latter part of the book for illustration preparation are out of date, but the concepts are timeless. Of the books that the University of New Mexico library has on hand (Tufte's books are lost or permanently checked out) this is the best for the general scientist.

i need to review about: anatomical position, body regions, directional terms body plates, body cavities and different systems of body and its functions.

Well, having finished my masters I decided on some light reading until I found a decent job in London. I soon took an interest in Sociology and read in great depth on criminology. This book was one of the best when it came to offering what sociologist would called the 'Anomic Apprach'- and yes that is as in Durkheim's theory. This book is generally considered as one of the best if you are looking for something realtd to the theory of anoie, in the context of differential association (Sutherland's main theory). I would also draw comparisons with Cloward and Ohlin who, in the 60's wrote 'Delinquenct and Opportunity'- a masterpeice in the peicing together of these very difficult concepts.

I always find it a shame that more people do not read book such as these aqs they really con offer a valued insight to the way society works, and more importantly, how it can go wrong.

I woudl be interested if anyone else should have any thoughts on this subject. Please feel free to email me on olie_sharp@hotmail.com

This is a textbook-type of book in the good sense of the term: it is well-written, information-packed, but yet relatively simply portrayed. A good introduction to the major religions of Asia. The focus is on the texts of each religion. What is missing is more discussion on how various elements of the population (underclass, women, etc.) incorporate the textual-based religous practices described in the text. Would have to look elsewhere for such a discussion.

Textbook format with interesting highlights of the world's major religions. Not as focused on doctrine as Huston Smith, but indicates the cultural impact and use of these eastern and western religions. Good reference tool.

Here's what I've been harvesting lately from movies, tv shows, and fiction: the value of witnessing characters who struggle with their problems but are unable to see what it is in their make-up that makes the struggle so hard. The audience can see it, but the character can't. I won't stay with stories where the myopia's artificial, where the author seems to be pointlessly tormenting her characters with awkwardly contrived boils and toils. I'm engaged by writers and directors who present this struggle with authenticity. I imagine exposure to this quality of fiction might help me with my own struggles. If you're into that, I recommend Donley Watts' new novel, Reynolds.

A little bit of word play in the opening sentence of Reynolds made me smile, chuckle to myself. It seemed incidental then but when I finished the novel, it seemed to contain the whole story. The title character is goofing around in his liquor store after closing. Ray Reynolds is listening to music, sliding around in his sock feet, and waiting for his lady friend, whose name is Joy.

Waiting for Joy.

Waiting for joy?

Turned out not to be that much joyful about Joy. Downright sad, really. Not much joy for Joy, or Reynolds, or for many of the other characters who experienced the beautifully rendered cycles of East Texas seasons with them. Too much waiting, not enough joy.

Reynolds' mom was waiting for leaf-raking to rise higher on her husband's priority list than it would on hers. To Edwina's credit, she finally stopped waiting. Unfortunately for her beautifully shaded back yard and the fortunes of at least one blue jay (and maybe Edwina herself), she didn't stop waiting soon enough for a half-measure or even a simple full measure to satisfy her need for action.

Reynold's dad stopped waiting too. Ray senior stopped waiting for the marital tension to resolve itself under the roof of the neglected old house, stopped waiting for his improbable gift to the world to drag itself from under a dusty tarp and finish inventing itself.

My guess is that Reynold's brother Perry is still waiting for Armageddon to come and promote him to his rightful stature among men. Despite an epiphany that pointed to action, I think Perry's wife Beth might still be waiting for her husband to share his inner life with her.

And Reynolds is still waiting for the right woman to walk through the door of his liquor store on a remote lake, instead of figuring out what he wants and going out to get it. We can see that; Reynolds can't.

This book is ungodly expensive, but so are most books in the Oxford Medieval Texts Series. It contains two works by the eleventh-century historian Rodulfus Glaber (sometimes called Ralph Glaber, sometimes Raoul Glaber). The first is his more important _Five Books of Histories_, which covers important events in the tenth and eleventh centuries from the viewpoint of a monk who had access to some good libraries and to some powerful people.

Those who are not scholars should not be put off by seeing the Latin text on each left hand page and the English on the right. The book makes accessible and pleasurable reading for history buffs. Glaber's stories are entertaining, poignant, and often insightful; they give a taste of what the world looked like to a person with very different cultural presuppositions than ours. He tells stories of kings, peasants, knights, miracles, monks, demons, famines, divine vengeance, and the eleventh-century Peace of God movement. A history buff will find this book interesting and engaging, and will find the translation to be smooth and fluid. The book also contains a translation of his life of St. William, abbot of Cluny, a less important text historically but full, likewise, of great stories.

But this is, after all, a scholarly edition. I wish France would arrange with Oxford to print a cheap paperback version with just the English translation and an introduction for non-specialists. I would use it in my medieval history courses without pause.

For scholars: France's critical edition of the Latin is excellent, and is now the standard critical edition, as well it should be. The notes to the text are helpful and suggestive. The critical apparatus is complete, and his discussion of MS variants often helpful. The translation is a little free at points, but it is well worth the readability it gives. For most scholarly purposes it is reliable, but for close textual work it is preferable to use the Latin and draw one's own conclusions about the particularities of France's (and in the case of the _Vita Willellmi_, his colleagues') translations.

P. J. Nugent

Asst. Prof. of Religion

Earlham College

Richmond, Indiana

This is a 48-page, 8.5" X 11" paperback, with lots of black & white photos of Reynolds looking very Seventies with longish hair and bell-bottoms, posing with his Ann Arbor teachers Ross Lee Finney and Roberto Gerhard, composers Toru Takemitsu and Conlon Nancarrow and others. It includes 4 essays, one by Reynolds on his musical philosophy, and one each on his vocal music, orchestral music, and use of electronics. There's a biographical sketch, an interview by Harvey Sollberger (fellow music faculty at UCSD), 9 pages of excerpts from music scores, excerpts from reviews, and a discography and list of works, both totally outdated 20 years later!

This is still a useful introduction to Roger Reynolds, especially given that nothing like it has been written or compiled since. It covers the period from the ONCE Festivals at Ann Arbor and sojourns in Europe and Japan in the 1960s, his appointment to UCSD in 1969, where he established a center for musical research, and up to his residence at Boulez's IRCAM in Paris in 1981-2. Time for an update!

This book creates both questions and answers, movingly and beautifully written by one of the finest writers I know. All of Price's thoughtful imagination and intelligence come to bear on three dialogues that one can easily see might have taken place. A profound and exciting read.